This being one such exhibit https://www.reddit.com/r/IndianHistory/comments/1j75nc0/the_...
Brings back my joyous/carefree youth where I would spend summer vacations ambling around the massive temple complex.
An amusing personal connection is that my wife wore a sari for our wedding (I'm from Chennai) and I wore a sherwani that she, a graphic designer, designed with Dall-E's assistance. A friend of ours knows an embroiderer in Bangalore who then put the design to the coat. Loved it, to be honest: https://x.com/arjie/status/1855328068883353665
Saris (not quite from Kanchipuram - American fabric) and Thinking Machines!
Using computers to aid in designing is not specific to Kanchipuram saris. While I realize people always approach it from the POV of saving a dying art, I'm unsure if K.saris can really fall under that umbrella. Clearly the demand is there and the issues here arise due to inefficient and possibly corrupt market practices rather than the art itself dying. A lot of space was used to explain the lopsided economics on the supply side but there's not enough attention paid to the demand side and the marketplace dynamics.
Wave Function Collapse in particular is itself based on convolutions, like CNNs, to preserve translational invariance, but it also preserves equivariance by means of a constraint satisfaction procedure. It's cool stuff and dirt cheap compared to training a CNN from scratch*.
_______________
* On anything but ImageNet/CIFAR 10.
Kanchipuram Saree has a rich history, and I learned so much more by reading this article.
I am intrigued by the Kanchipuram saree and have dreamed about owning one. The digital ledger is a unique idea – if authenticity is established, it would be easy to invest in this as art piece.
GI Tagging for ODOP products is taken extremely seriously as the products associated with ODOP tend to be associated with locally powerful khadi cooperatives and because this is a personal project of Modi and Shah as they started their political careers in Khadi Cooperatives and Amit Shah is the Cooperation (as in Cooperatives and Khadi) Minister, so complaints tend to be taken seriously. Additionally, textile cooperatives are extremely important in TN as well, and the TN government closely enforces it's GIs as well as building their own e-commerce platform and showrooms for selling cooperative goods [2].
[0] - https://www.investindia.gov.in/one-district-one-product
[1] - https://kancheepuram.nic.in/about-district/gi-tag-product-ka...
[2] - https://www.cooptex.com/
But keep the votebank politics out of this man. Every political leader in the history of the country has espoused such kinship and love for the handicraft. Their reasons are their own.
Khadi and handicrafts have been political since before the beginning of the republic of India.
Besides, cooperatives are well-known mechanisms to launder money, and their politically "clean" image is why they are a favourite laundry of politicians.
> Please don't use Hacker News for political or ideological battle. It tramples curiosity.
Small multiples of a 100 are like a new flashy upstarts in the block as far as Indian traditional art goes.
The Western colonial imperial system never truly went away, it simply morphed into an opaque inscrutable machinery to make it palatable to its own highly refined taste. An empire of human rights.
It's also something that is deeply personal for Narendra Modi and Amit Shah [1] as they started their political careers climbing up the cooperative ladder - they were able to turn Gujarat from being a Congress only state to a BJP only state by co-opting cooperatives in the dairy industry [2]. And in Kancheepuram's case it's an extremely important industry in TN.
Furthemore, if Prada or Chanel buys Indian heritage artisan goods and gives it the luxury veneer, it helps MSMEs and khadi cooperatives demand better terms when wholesaling light manufactured products.
Finally, at a personal level, much of my family is associated with Khadi and Cooperative industries - they are one of the only ways to build medium or even high value industries while giving participants some degree of agency. The profits of khadi goods being sold at high margins ends up in the hands of cooperative members and cooperatives tend to re-invest in capacity building or subsidizing new entrants. This is why you see cooperative banks dot all of India.
[0] - https://www.investindia.gov.in/one-district-one-product
[1] - https://theprint.in/opinion/politically-correct/rahul-gandhi...
[2] - https://scroll.in/article/858585/amul-is-now-a-congress-mukt...
Colonialism is when globalism? Much of Indians have no problem (I assume) with this.
It will tell you Indians aren't monolithic, and artisans certainly DO mind (while elite or others might not, bc they are ignorant like you or I). It will also tell you that India has "geographical indication (GI) protections for crafts like Kanchipuram silk, Banarasi sarees, and Chanderi fabric specifically to prevent this kind of appropriation".
While an Indian "joe on the street", might not have an opinion, the slower and deliberate machinery of government (which is elected to protect interests of the Indian people) certainly has a problem with such things, and might gladly refer to colonialist tendencies.
Ask a human or an AI yourself, if you care enough to learn rather than just offer a confident take
https://www.scienceandindustrymuseum.org.uk/objects-and-stor...
i grew up in erode, a major handloom hub in tamilnadu.. so this hits close to home. research like this helps preserve and better understand regional textile ecosystems that often don’t get enough structured documentation.
thanks for sharing.
I recommend looking at a district's website or that if the associated ministry.
They tend to go in-depth into the history of their ODOP and GI goods, as can be seen with Kancheepuram Saris [0][1].
Visiting Khadi and Cooperative showrooms and export promotion events is also a treat - whenever I'm in Delhi I'd always make some time to visit the state and khadi bhavans in Luyten's Delhi to grab gifts and look at heritage goods.
[0] - https://www.indiahandloombrand.gov.in/pages/downloadFile/kan...
Why is Hari not paid enough?
1. "The visual language of the loom is deteriorating into digital gibberish"
2. "the chemical dyes are poisoning the very water the weavers drink"
3. "the market is flooded with fakes that have destroyed consumer trust"
You understand why 1 and 3 are problems to be solved when you consider the solutions proposed: AI and Blockchains. If Hari happens to ask an AI and Blockchain company to help him out, the outcome is clear: after they take a cut, his remaining salary reduces from 5000 to 500, and the consultants walk away to next solve manual scavenging using LLMs and room temperature superconductors.
Naturally, the Cyber Lime வெறியன்s in Paris care whether the yalis are the right way up. The goal is to sell the sarees in "Upper East Side in New York or London’s Jermyn Street or haute Paris" while touting them as culturally authentic. Wikipedia dumps of 5 different kinds of vision models reinforces the idea that AI is, of course, the solution. The only question is which kind.
Using CRISPR-Cas9 for better microbial dyes is interesting. Unfortunately the one link provided is about R&D for food dyes in the US, so I am not convinced (without checking it up myself later) that this is feasible in Kanchipuram yet.
"[LVMH's] Aura Blockchain acts as a digital notary for their diamonds, recording the specific mine of origin and cut history." You can already verify that your blood diamond has been mined by an exploited, underpaid worker. The only thing you need to save Kanchipuram sarees is authentic Proof-of-Exploitation so no one can doubt that your precious clothes are hand-woven by Hari who can't afford his groceries.
Indian luxury clothes made "with a solid bar of silver and gold", the process enhanced with AI and Blockchains, to be sold to a Met Gala market as the solution to underpaid weavers in Kanchipuram is... idk. The cherry on top is them admitting to using AI art in an article about underpaid artisans.
"Even while developing this piece, the irony of using AI was not lost on us." I wish I could pull this off with a straight face.
Quoting:
"For a heritage boutique, this offers a data-driven way to align traditional korvai patterns with modern market appetites knowing, for instance, that a specific shade of "Cyber Lime" will be trending in Paris next season and weaving it into a classic gopuram border."
Um. No please.
The buyer of a Kanjeevaram (or Paithani, or Navvari, or Balucheri, or any number of other traditions) is looking for something outside of time. The very inheritance exists because it is beauty, art, craft, taste of person-hood and---ultimately indescribable but deeply felt---quality that transcends the generations. To be worn until worn out, and then converted to another timeless piece with which the next few generations would adorn themselves.
Every upper middle class woman had to have them, back in the day.
Try to explain that to an AI believer. No chance in hell. The religion brooks no doubt.
https://ta.wikipedia.org/wiki/%E0%AE%AF%E0%AE%BE%E0%AE%B3%E0...
Whenever someone says "actually", it's hard not to think of https://www.youtube.com/watch?v=dGvw-E4OtOA
>About
> I pronounce my name as kroo-PAH-krun. In IPA it’s /kruːˈpɑːkrən/
Rules for thee, but not for me :))))
The only exception I can think of is Marathi. The 'el' in 'sakal' is roughly the same.
But I think we’ve hijacked a cultural thread with enough phonetics for now!
[1] https://en.wikipedia.org/wiki/Voiced_retroflex_approximant